The 5 Worst Bands of All Time
We’re pretty opinionated when it comes to music here at Robot Panic. Each of us have degrees in the subject, and as such music is a big part of our lives. So with that in mind, we’ve filtered down the five worst rock bands of all time. Now, keep in mind that we didn’t go with some terrible cover bands we saw at a local dive bar, or bands that were mere flashes-in-the-pan. We went with bands who, at least for a couple albums, were massively popular with a handful of Top 40 hits. Bands that somehow suckered legions of fools into buying their albums and attending their concerts. Some of you may see a band or two on this list that you love. And if that’s the case, you may want to take a closer look at the rest of your life, because it may turn out to be a total sham.
Just sayin’.
Now, please enjoy.
5) Firehouse

The lamest hair band ever.
The 80s were a terrible time. The dominant music of the day was hair metal, a subgenre of something that started out cool, and quickly turned into ass-clowns on parade. In the spirit of full disclosure, as a teenage boy living in Wisconsin, I dug me some hair metal back in the day. But as much as I could throw up the devil horns to Motley Crue, Dokken, or even Poison, I could not – under any circumstances – stomach Firehouse. These four produced the most hideous sounds of that period; the sorts of sounds only enjoyable to menstruating junior high girls.
Firehouse had hits with “(Baby) Don’t Treat Me Bad” (I’m not kidding, that was the title), and “All She Wrote”, which was known for it’s harmonized singing of “Bye, bye, baby bye, bye”. But the biggest scam they ever achieved was taking the music from their hit “Love of a Lifetime” and replacing the lyrics for their next hit “When I Look Into Your Eyes.” If you’ve ever been to a wedding reception you’ve heard both of these songs. They’re the songs that make the fat cousin who works in accounts payable cry over her cup of Miller Lite.
If you cruise the county fair circuit, you can still hear Firehouse harmonizing candy-coated lyrics over the smell of cow shit, cotton candy, and pixie dust.
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10.) The Shield - This year saw the end of the award-winning FX series centering around Vic Mackey, a crooked cop working in L.A.’s most notorious gang district. Throughout the seven seasons, we’ve seen Mackey do some unspeakable things in the name of his own twisted form of justice, and in the interest of his own bank account. He’s killed criminals and cops alike, forced false confessions, and robbed mafia money laundering setups. But throughout it all, he’s done it with a sense of loyalty for the ones he loved that still made him a likable – if flawed – antihero. However, in the episode before the finale, the writers turned the tables on the audience, giving us a look at what a wretched person Vic suddenly realized he was. The entire show’s thesis was revealed, one of sins and redemption. In the final season, it was made clear that someone would pay for Mackey’s sins, but we didn’t know who. So many characters had their own motives and drives that each one’s fate was up in the air until the final moments of the series. The traditionally high-octane, action-packed ended with a season of thoughtful character progression, and culminating in some of the most heartbreaking scenes of loss and betrayal to ever grace television. Never could I have imagined that the writers could have brought the series to such a poetically satisfying end.
9.) Zack and Miri Make a Porno – I’m a bit more of a newcomer to the collected works of Kevin Smith. I had seen Dogma while ago, but I only saw Clerks for the first time two years ago, and the rest of his films since. However, one upside to this is that I get to see the entire span of his career in a short time, and with each film I get to see him grow more as a filmmaker. And with this, his eighth film, he shows his most substantial maturation yet. He displays the style of comedy he has become famous for, and ends the film with an almost direct address to the audience leading up to the big emotional climax. But above all else, it’s simply a funny film. The humor is certainly not for everyone, especially those offended by the filthiest of language, but if you’re willing to brave the torrent of swears and foul talk, you’ll be rewarded for it. This is Smith at his most comfortable, and really gets me interested to see what he does next.
8.) Lost Odyssey - Okay, I’ll admit it: I’m new to this whole “RPG” thing. Sure, I’ve played my fair share of Pokemon, and yes, the grid-based Strategy RPG Disgaea is one of my all-time favorites. But when it comes to the traditional JRPGs like Final Fantasy or Dragon Quest, I’m at a loss. In fact, when I first picked up Lost Odyssey, most of it was new to me. Yes I was familiar with the stereotypical tropes of the genre, but I hadn’t yet become jaded enough to let it bother me. I found the combat fun and engaging, the story was unique, the characters were diverse and likable, and the game was well-paced enough to not keep me in the same environment for too long. Suddenly, all of my previous notions about how dated and boring JRPGs were went out the window. Aside from the pacing and gameplay, it’s also a technical marvel as well. The localized voice acting is excellent, and the visuals play with cinematic aspects like depth of field to give the game a look all it’s own. I still haven’t finished it, but it’s the game that I’m most excited to revisit.